|
Bacon's Van Gogh Walking to deformation: nearly direction smears Earth under the jag lane: through gape black Crops of red: blurred psyches stroked in Slung behind another: box recedes the painter s Tree bones or tanks: misshapen phallic gestures Burnt brown candle stub of leg: shades the right peg aside Volcanic solid half: limb and face one viscous dip Flesh chars away closer: profile huge, entirely without eye s Blood, dung, ocher mixed to canvas: straw patches smother out Frame, walking stick, rim of hat: yellow, mad, thin Slurring tan: red blent white sludges out yeses The azure stripped: demarcates scorched under Flesh pink all over the road: melts to ward in
Exterior with Woman Hanging Sheets I will perhaps send you some oranges from my garden --Berthe Morisot, letter to Stephane Mallarme, She flecks dozens greens by Ocher priming spreads through Rectangles draped and white Strokes hatch cerulean rose Rustles a pair wide and spare Dress aside much understated Her arms a small garment dry Rust-burnished squares curved |
||
Sarah Riggs will publish Word Sightings: Visual Media and the American Poet in summer 2002 (Routledge) and is currently writing a book of poems. She paints and photographs color abstracts, and lives in Paris and Provence.
|
||
|