
R.V. Young, Jr., Editor
DONNE RETURNS TO LOSELEY -- 18-20 May 2000 at Loseley Park
The John Donne Journal is published annually by the English Department, North Carolina State University, and is sponsored by the John Donne Society.
Contributions, normally not to exceed 75 typewritten pages, should follow the MLA Handbook, 4th ed., and be submitted by e-mail to jdjournal@gw.ncsu.edu. For those who cannot submit by e-mail, send to Editor, John Donne Journal, NCSU, Box 8105, Raleigh, NC 27695-8105 with duplicate copy and return postage. Authors of accepted essays should provide the final copy in Microsoft Word format (WordPerfect is also accepted). Unsolicited book reviews are not accepted. In addition to studies of sixteenth- and seventeenth-century poetry and prose, the John Donne Journal also publishes short notes, announcements, and descriptions of manuscripts, texts, and documents.
Subscriptions are $20.00 a year for individuals, $45.00 for libraries. Subscribers outside the United States should remit an additional $15.00 for postage. Back issues are available. Direct inquiries to the address above or via e-mail to jdjournal@gw.ncsu.edu.
ISSN: 0738-9656
| Tom Cain | Anthony Raspa |
| Robert Ellrodt | John R. Roberts |
| Dennis Flynn | Graham Roebuck |
| Achsah Guibbory | Jeanne Shami |
| Dayton Haskin | John T. Shawcross |
| Anthony Low | Stanley Stewart |
| Frank Manley | Gary Stringer |
| Annabel Patterson | Ernest W. Sullivan, II |
| Richard S. Peterson | Edward Tayler |
Brian Blackley, Managing Editor
Gene Melton, Editorial Assistant
A.B. Chambers. Glorified Bodies and the "Valediction: forbidding Mourning." 1-20.
A.J. Smith. No Man Is a Contradiction. 21-38.
Annabel Patterson. Misinterpretable Donne: The Testimony of the Letters. 39-54.
John R. Roberts. John Donne's Poetry: An Assessment of Modern Criticism. 55-68.
Anthony Low. The "Turning Wheels": Carew, Jonson, Donne...Law of Motion. 69-80.
Stanley Stewart. Two Types of Traherne Centuries. 81-100.
Michael P. Parker. Carew's Politic Pastoral: Virgilian Pretexts in the "Answer to Aurelian Townsend." 101-116.
S.K. Heninger, Jr. "Metaphor" and Sidney's Defence of Poesie. 117-150.
A. Leigh DeNeef. Ploughing Virgilian Furrows: The Genres of Faerie Queene VI. 151-166.
John T. Shawcross. A Text of John Donne's Poems: Unsatisfactory Compromise. 1-20.
Ernest W. Sullivan, II. Replicar Editing of John Donne's Texts. 21-30.
Pamela L. Royston. Hero and Leander and the Eavesdropping Reader. 31-54.
Judy Z. Kronenfeld. Probing the Relation between Poetry and Ideology: Herbert's "The Windows." 55-80.
Sean Kane. The Paradoxes of Idealism: Book Two of The Faerie Queene. 81-110.
Anthony Low. Review Essay: John Carey and John Donne. 111-121.
Dennis Flynn. The "Annales School" and the Catholicism of Donne's Family. 1-10.
Achsah Guibbory. A Sense of the Future: Projected Audiences of Donne and Jonson. 1-22.
Sidney Gottlieb. Elegies Upon the Author: Defining, Defending, and Surviving Donne. 23-38.
Michael C. Schoenfeldt. Submission and Assertion: The "Double Motion" of Herbert's "Dedication". 39-50.
Edward J. Rielly. Marvell's "Fleckno," Anti-Catholicism, and the Pun as Metaphor. 51-62.
Alan T. Bradford. Nathanael Richards, Jacobean Playgoer. 63-78.
Ernest W. Sullivan, II. Donne Manuscripts: Dalhousie II. 79-90.
Annabel Patterson. Review Essay: Talking About Power. 91-106.
Ted-Larry Pebworth. Manuscript Poems and Print Assumptions: Donne and His Modern Editors. 1-23.
Stanton J. Linden. Compasses and Cartography: Donne's "A Valediction: forbidding Mourning". 23-34.
Thomas Willard.Donne's Anatomy Lesson: Vesalian or Paracelsian. 25-62.
John T. Shawcross.The Making of the Variorum Text of Anniversaries. 63-72.
Ilona Bell. Revision and Revelation in Herbert's "Affliction (I)". 73-96.
James S. Baumlin. A Note on the 1649/1650 Editions on Donne's Poems. 97-98.
Dennis Flynn. Review Essay: A Problematic Text. 99-104.
Horton Davies. Review Essay: Calvinism and Literary Culture. 105-112.
Albert C. Labriola. Review: Donne Well-Done. 113-116.
Robert W. Halli, Jr.. Drinking with Donne: December 13, 1610. 117.
Dennis Flynn. Jasper Mayne's Translation of Donne's Latin Epigrams. 121-130.
Joseph E. Grennen. Donne on the Growth and Infiniteness of Love. 131-140.
Jill Baumgaertner. "Harmony" in Donne's "La Corona" and "Upon the Translation of the Psalms". 141-156
Joseph E. Duncan. Donne's "Hymne to God my God, in my sickness" and Iconographic Tradition. 157-180.
Raymond A. Anselment. The oxford University Poets and Caroline Panegyric. 181-202.
Ernest W. Sullivan, II. Donne Manuscripts: Dalhousie I. 203-220.
Jonathan F. S. Post. Review Essay: Reforming The Temple: Recent Criticism of George Herbert. 221-248.
Ronald J. Corthell. Review Essay: Joseph Hill and Seventeenth-Century Literature. 249-270.
Anthony Low. The Compleat Angler's "Baite": or, The Subverter Subverted. 1-12.
Patrick F. O'Connell. "Restore Thine Image": Structure and Theme in Donne's "Goodfriday." 13-28.
Julia M. Walker. "Here you see mee": Donne's Autographed Valediction. 29-34.
Frances M. Malpezzi. The Withered Garden in Herbert's "Grace." 35-48.
David P. Jaeckle. Marvell's Reformed Theory of Architecture: Upon Appleton House, I-X. 49-68.
Maureen Sabine. Crashaw and the Feminine Animus: Patterns of Self-Sacrifice in Two of His Devotional Poems. 69-94.
Paul A. Parrish. Cowley and Crashaw on Hope. 95-108.
A.B. Chambers. Will the Real John Donne Please Rise? 109-144.
Leah S. Marcus. Report from the Opposition Camp: Jonson Studies in the 1980s. 121-144.
Pamela L. Royston. Genre, Genius, and Genealogy: Revising Literary History. 145-159.
Antony H. Harrison. Reception Theory and the New Historicism: The Metaphysical Poets in the Nineteenth Century. 163- 181.
John B. Hodgson. Coleridge, Puns, and "Donne's First Poem": The Limbo of Rhetoric and the Conceptions of Wit. 181-200.
John T. Shawcross. Opulence and Iron Pokers: Coleridge and Donne. 201-224.
Dayton Haskin. Reading Donne's Songs and Sonets in the Nineteenth Century. 225-252.
John Maynard. Browning, Donne, and the Triangulation of the Dramatic Monologue. 253-268.
Diane D'Amico. Reading and Rereading George Herbert and Christina Rossetti. 269-290.
John Griffin. Tractarians and Metaphysicals: The Failure of Influence. 291-302.
Jerome Bump. Hopkins, Metalepsis, and the Metaphysicals. 303-330.
James Dorrill. Hardy, Donne, and the Tolling Bell. 331-336.
Raoul Granquist. A "Fashionable Poet" in New England in the 1890s: A Study of the Reception of John Donne. 337-350.
Linda Palumbo. Cultivation in the Wilderness: A Review Essay. 351-359.
Clark Hulse. Shakespeare's Sonnets and the Art of the Face. 3-26.
Alan T. Bradford. Use And Uniformity in Elizabethan Architecture and Drama. 27-62.
Ernest B. Gilman. "To adore, or scorne an image": Donne and the Iconoclast Controversy. 63-100.
David Evett. Donne's Poems and the Five Styles of Renascence Art. 101-132.
Murray Roston. Herbert and Mannerism. 133-168.
Richard S. Peterson. Icon and Mystery in Jonson's Masque of Beautie. 169-200.
John Peacock. Inigo Jones and the Florentine Court Theater. 201-234.
Cedric C. Brown. The Komos in Milton. 235-266.
David Sturdy. Bodley's Bookcases: "This goodly Magazine of witte". 267-290.
John Dixon Hunt. The Portrait of William Style of Langley: Some Reflections. 291-310.
David M. Sullivan. Riders to the West: "Goodfriday, 1613." 1-8.
Jeanne Shami. Kings and Desperate Men: John Donne Preaches at Court. 9-24.
Ronald J. Corthell. "Coscus onely breeds my just offence": A Note on Donne's "Satire II" and the Inns of Court. 25-32.
Paul W. Harland. Imagination and Affections in John Donne's Preaching. 33-50.
Robert H. Ray. Another Perspective on Donne in the Seventeenth Century: Nehemiah Rogers's Allusions to the Sermons and "A Hymne to God the Father". 51-54.
Donald R. Dickson. Grace and the "Spirits" of the Heart in The Temple. 55-66.
Ann Baynes Coiro. Herrick's "Julia" Poems. 67-90.
Dale B.J. Randall. Phosphore Redde Diem: Ancient Starlight in Quarles' Emblems I.14. 91-108.
W. Speed Hill. John Donne's Biathanatos: Authenticity, Authority, and Context in Three Editions. 109-134.
Raymond B. Waddington. "When thou hast done, thou hast not done." 135-146.
Eugene Cunnar. Steps to Crashaw. 147-150.
Anthony Low. Sister Arts. 151-158.
Michael P. Parker. Annotating Aurelian. 159-161.
Dennis Flynn. Donne's Ignatius His Conclave and Other Libels on Robert Cecil. 163-184.
A.B. Chambers. "Goodfriday, 1613. Riding Westward": Looking Back. 185-202.
John T. Shawcross. The Concept of Sermo in Donne and Herbert. 203-212.
Peter Beal. More Donne Manuscripts. 213-218.
Ernest W. Sullivan, II. Updating the John Donne Listings in Peter Beal's Index of Englsih Literary Manuscripts. 219-234.
Paul R. Sellin and Augustus J. Veenendaal, Jr. A "Pub Crawl" Through Old The Hague: Shady Light on Life and Art Among English Friends of John Donne in The Netherlands, 1627-1635. 235-260.
Daniel P. Jaeckle. Marvell's Dialogics of History: Upon Appleton House, XI-XXXV. 261-274.
Judith Dundas. "Arachnean Eyes": A Mythological Emblem in the Poetry of George Chapman. 275-284.
Anthony Low. Grief, Anger, and Consolation, 285-288.
Andrew M. Mclean and J. Lawrence Gunter. Donne Done Into German. 289-294.
Achsah Guibbory. The Directions of Indirection. 295-298.
Stanley Stewart. Georgic and the Absence of Georgic. 299-303.
Mary Ann Radzinowicz. The Politics of Donne's Silences. 1-20.
Louis L. Martz. Donne and Herbert: Vehement Grief and Silent Tears. 21-34.
Dennis Flynn. "Awry and Squint": The Dating of Donne's Holy Sonnets. 35-46.
Helen B. Brooks. "Soules Language": Reading Donne's "The Extasie." 47-64.
Sallye Sheppeard. Eden and Agony in "Twicknam Garden." 65-72.
Richard Harp. Jonson's "To Penhurst": The Country House as Church. 73-90.
Reid Barbour. "Wee, of th' adult'rate mixture not complaine": Thomas Carew and Poetic Hybridity. 91-114.
John T. Shawcross. On Some Early References to John Donne. 115-118.
Bernard Richards. Donne's "Aire and Angels": A Gross Misreading. 119-122.
James A. Riddell. A Previously Unnoticed Source for a Poem by Ben Jonson. 123-124.
Anthony Low. Donne and the New Historicism. 125-132.
Julia M. Walker. "Left/Write/Right" Of Lock-Jaw and Literary Criticism. 133-139.
John T. Shawcross. But Is It Donne's? The Problem of Titles on His Poems. 141-150.
James S. Baumlin. Donne's Poetics of Absence. 151-182.
Joseph E. Duncan. Resurrections in Donne's "A Hymne to God the Father" and "Hymne to God my God, in my sicknesse." 183-196.
Robert Thomas Fallon. Donne's "Strange Fire" and the "Elegies on the Author's Death." 197-212.
Robert C. Evans. Sir John Harington and Thomas Sutton: New Letters from Charterhouse. 213-238.
Howard Canaan. Meaning, Shape, and Number in Upon Appleton House. 239-256.
Jonathan F.S. Post. Herrick, Cultural Clout, and the Burden of Simplicity. 257-272.
Stanley Stewart. Imagining Dutch Reformed Donne. 273-286.
Ernest W. Sullivan II. Who Was Reading/Writing Donne Verse in the Seventeenth Century? 1-16.
Celestin J. Walby. The Westmoreland Text of Donne's First Epithalamium. 17-36.
Graham Roebuck. Donne's Visual Imagination and Compasses. 37-56.
Noralyn Masselink. Donne's Epistemology and the Appeal to Memory. 57-88.
Yameng Liu. The Making of Elizabeth Drury: The Voice of God in "Anatomy of the World." 89-102.
Sharon Cadman Seelig. In Sickness and Health: Donne's Devotions Upon Divergent Occasions. 103-114.
M.L. Donnelly. "To furder or represse": Donne's Calling. 115-124.
Winfried Schliner. Donne's Coterie Sermon. 125-132.
Robert C. Evans. John Donne, Governor of Charterhouse. 133-150.
Joanne Altieri. Hero and Leander: Sensible Myth and Lyric Subjectivity. 151-166.
Krisitne Wolberg. All Possible Art: The Country Parson and Courtesy. 167-190.
Barbara Looney. Marvell's Dewdrop: Two Possibilities for the Soul. 191-193.
R.V. Young. Angels in "Aire and Angels." 1-14.
Stella P. Revard. The Angelic Messenger in "Aire and Angels." 15-18.
Phoebe S. Spinrad. "Aire and Angels" and Questionable Shapes. 19-22.
Michael C. Schoenfeldt. Patriarchal Assumptions and Egalitarian Designs. 23-26.
Judith Scherer Herz. Resisting Mutuality. 27-32.
John T. Shawcross. Donne's "Aire and Angels": Text and Context. 33-42.
John R. Roberts. "Just such disparitie": The Critical Debate About "Aire and Angels." 43-64.
Arnold Stein. Interpretation: "Aire and Angels." 65-76.
Albert C. Labriola. "This Dialogue of One": Rational Argument and Affective Discourse in Donne's "Aire and Angels." 77-84.
Janel Mueller. The Play of Difference in Donne's "Aire and Angels." 85-94.
Camille Wells Slights. Air, Angels, and Progress of Love. 95-104.
Achsah Guibbory. Donne, the Idea of Woman, aand the Experiece of Love. 105-112.
Anne Barbeau. Donne and the Real Presence of the Absent Lover. 113-124.
Graham Roebuck. Elegies for Donne: Great Tew and the Poets,. 125-136.
John T. Shawcross. An Important Volume of Donne's Poetry and Prose. 137-140.
Ernest W. Sullivan II. Updating the John Donne Listings in Peter Beal's Index of English Literary Manuscripts, II. 141-148.
Lauren Silberman. To Write Sorrow in Jonson's 'On my First Sonne.' 149-156.
Esther Gilman Richey. "Wrapt in Nights Mantle": George Herbert's Parabolic Art. 157-172.
Maureen Sabine. "My Soul's Country-Man": The Critical Recovery of Crashaw. 173-182.
Anthony Low. The Problem of Mysticism. 183-187.
Claude Summers and Ted-Larry Pebworth. Donne's Correspondence with Wotton. 1-36.
Graham Roebuck. Donne's Lamentations of Jeremy Reconsidered. 37-44.
Theresa DiPasquale. Ambivalent Mourning: Sacramentality, Idolatry, and Gender in "Since she whome I lovd hath payd her last debt." 45-56.
Koos Daley. "And Like a Widdow Thus": Donne, Huygens, and the Fall of Heidelberg. 57-70.
Gary Stringer. Donne's Epigram on the Earl of Nottingham. 71-74.
John T. Shawcross. Some Further Early Allusions to Donne. 75-78.
Satyre III Colloquium. Stringer, Sellin, Slights, Hester. 79-102.
Hal Hellwig. The Poet's Role in Rhetoric: Herbert in the Service of the Lord. 103-110.
Richard Todd. Carew's "crowne of Bayes": Epideixis and the Performative Rendering of Donne's Poetic Voice. 111-128.
Dan Jaeckle. De-Authorizing in Marvell's The Rehearsal Transpros'd. 129-142.
Jeanne Shami. Introduction: Reading Donne's Sermons. 1-20.
Paul W. Harland. Donne's Political Intervention in the Parliament of 1629. 21-38.
Gale H. Carrithers, Jr., and James D. Handy, Jr. Love, Power, DustRoyall, Gavelkinde: Donne's Politics. 39-58.
Lori Anne Ferrell. Donne and His Master's Voice, 1615- 1625. 59-72.
Meg Lota Brown. "Though it be not according to the Law": Donne's Politics and the Sermon on Esther. 73-84.
Noralyn Masselink. A Matter of Interpretation: Example and Donne's Role as Preacher and as Poet. 85-98.
Mark Vessey. Consulting the Fathers: Invention and Mediation in Donne's Sermon on Psalm 51:7 ("Purge me with hyssope"). 99-110.
Lindsay A. Mann. Misogyny and Libertinism: Donne's Marriage Sermons. 111-132.
Dayton Haskin. John Donne and the Cultural Contradicitons of Christmas. 133-157.
Maria J. Pando Canteli. "One like none, and lik'd of none": John Donne and the Grotesque Representation of the Female Body. 1-16.
Elaine Perez Zickler. "nor in nothing, nor in things": The case of love and desire in John Donne's Songs and Sonets. 17-40.
L.E. Semler. John Donne and the Early Maniera. 41-66.
Ann Hurley. Donne's "Good Friday, Riding Westward, 1613" and the Illustrated Meditative Tradition. 67-78.
Joan Faust. John Donne's Verse Letters to the Countess of Bedford: Mediators in a Poet-Patroness Relationship. 79-100.
A.E.B. Coldiron. "Poets be silent": Self-Silencing Conventions and Rhetorical Context in the 1633 Critical Elegies on Donne. 101-114.
Deborah Aldrich Larson. Donne's Contemporary Reputation: Evidence from Some Commonplace Books and Manuscript Miscellanies. 115- 130.
Robert G. Collmer. Elizabeth Drury in the United States. 131-138.
J.T. Rhodes. Continuities: The Ongoing English Catholic Tradition from the 1570s to the 1630s. 139-152.
Tiree MacGregor and C.Q. Drummond. The Authorship of "Fair Friend, 'tis true, your beauties move." 153-168.
Joe Snader. The Compleat Angler and the Problems of Scientific Methodology. 169-189.
Kate Frost. The Lothian Portrait: A New Description. 1-12.
R.E. Pritchard. Donne's Image and Dream. 13-28.
Jill Pelaez Baumgaertner. Political Play and Theological Uncertainty in the Anniversaries. 29-50.
Roger Rollin. John Donne's Holy Sonnets - The Sequel: Devotions Upon Emergent Occasions. 51-60.
Helen Wilcox. Squaring the Circle: Metaphors of the Divine in the Work of Donne and His Contemporaries. 61-80.
Emma L. Roth-Schwartz. John Donne's "Nocturnall Upon S. Lucies Day": Punctuation and the Editor. 81-100.
Robert Parker Sorlien. Apostasy Reversed: Donne and Tobie Matthew. 101-112.
John Shawcross. More Early Allusions to Donne and Herbert. 113-124.
Diana Trevino Benet. Introduction. 125-126.
Janice Whittington. The Text of Donne's "A Valediction forbidding Mourning." 127-136.
Judith Scherer Herz. Reading [out] Biography in "Valediction forbidding Mourning." 137-142.
Graham Roebuck. "A Valediction forbidding Mourning": Traditions and Problems of the Imagery. 143-150.
Jack Durant. Religio Laici and the Fate of Texts. 151-166.
Stanley Stewart. A Priest to the Geneva Temple. 167-180 .
P.G. Stanwood. "In cypher writ": The Design of Donne's Devotions. 181-186.
Dennis Flynn. Exegesis before Eisegesis. 187-192.
Jeanne Shani. "The Stars in their Order Fought Against Sisera": John Donne and the Pulpit Crisis of 1622. 1-58.
Peter McCullough. Preaching to a Court Papist? Donne's Sermon Before Queen Anne, December 1617. 59-82.
Tom Cain. Donne and the Prince D'Amour. 83-112.
Albert C. Labriola. Sacerdotalism and Sainthood in the Poetry and Life of John Donne: "The Canonization" and Canonization. 113-126.
Maureen Sabine. "Thou art the best of mee": A.S. Byatt's Possession and the Literary Possession of Donne, 127-148.
Michael W. Price. "Jeasts which cozen your Expectatyonn": Reassessing John Donne's Paradoxes and Problems, 149-184.
Dennis Flynn. Donne, Henry Wotton, and the Earl of Essex, 185-218.
Annabel Patterson. Afterword. 219-230.
M.L. Stapleton. "Why should they not alike in all parts touch?": Donne and the Elegiac Tradition, 1-22.
Achsah Guibbory. "The Relique," The Song of Songs, and Donne's Songs and Sonets. 23-44.
John T. Shawcross. Some Rereadings of John Donne's Poems. 45-62.
Rodney Stenning Edgecombe. Eschatological Elements in Donne's "Anniversarie." 63-74.
Donald Friedman. Christ's Image and Likeness in Donne. 75-94.
Kate Frost. The Lothian Portrait. 95-126.
Ted-Larry Pebworth. The Early Audiences of Donne's Poetic Performances, 127-140.
Graham Roebuck. Johannes Factus and the Anvil of the Wits. 141-152.
P.G. Stanwood. Donne's Art of Preaching and the Reconstruction of Tertullian. 153-170.
Bryan N.S. Gooch. Music for Donne. 171-188.
Barry Spurr. The John Donne Papers of Wesley Milgate. 189-202.
Maurine Sabine. "A Place of Honor": Dennis Flynn's Biography of Donne. 203-212.
Jeanne Shami. Donne's Political Casuistry: An Introduction. 213-218.
Brian Blackley. Claude and Ted-Larry's Excellent Adventure. 219-233.
Annabel Patterson. Donne in Shadows: Pictures and Politics. 1-36.
Ann Prescott. Donne's Rabelais. 37-58.
Terry G. Sherwood. Ego Videbo: Donne and the Vocational Self. 59-114.
Richard B. Wollman. Donne's Obscurity: Memory and Manuscript Culture. 115-136.
Stephen Burt. Donne the Sea Man. 137-184.
Stephen J. Maynard. "Here you see mee": The Trope of Avoidance in John Donne. 185-208.
Ann Hurley. Donne's "Nocturnall" and Festival. 209-220.
Len Ferry. "Till busy hands/ Blot out the text": Realme in Satyre III. 221-228.
P.G. Stanwood. Recovering Donne's Sermons. 229-233.
Margaret J. M. Ezell. A Possible Story of Judith Donne: A Life of Her Own? 9-28.
Thomas A. Festa. Donne's Anniversaries and His Anatomy of the Book. 29-60.
Jeff Westover. Suns and Lovers: Instability in Donne's "A Lecture upon the Shadow." 61-73.
Arthur Lindley. John Donne, "Batter my Heart," and English Rape Law. 75-88.
Shelley Karen Perlove. Witnessing the Crucifixion: Rembrandt and John Donne's "Good Friday, 1613. Riding Westward." 89-106.
Kate Narveson. Piety and the Genre of Donne's Devotions. 107-136.
Mary Ann Koory. "England's Second Austine": John Donne's Resistance to Conversion. 137-161.
Elena Levy-Navarro. "Goe forth ye daughters of Sion": Divine Authority, the King, and the Church in Donne's Denmark House Sermon. 163-173.
Gary A. Stringer. Filiating Scribal Manuscripts: The Example of Donne's Elegies. 175-189.
D. Audell Shelburne. The Textual Problem of "Twicknam Garden." 191-204.
Paul J. Voss. Desiring Ideology. 205-208.
Dennis Flynn. "The meate was mine": New Work from the Oxford School. 209-215.
William Proctor Williams. A Variorum: "How It Goes." 217-226.
John T. Shawcross. Using the Variorum Edition of John Donne's Poetry. 227-247
Anthony Raspa. Donne's Pseudo-Martyr and Essayes in Divinity as Companion Pieces. 1-12.
Stella P. Revard. Donne's "The Bracelet": Trafficking in Gold and Love. 13-23.
Allison Spreuwenberg-Stewart. "To His Mistress Going to Bed," or "Could You Lend Me Your Clothes?" 25-59.
L. M. Gorton. Philosophy and the City: Space in Donne. 61-71.
Albert C. Labriola. Lure and Allure in Donne's "Aire and Angels." 73-82.
Reuben Sanchez. Menippean Satire and Competing Prose Styles in Ignatius His Conclave. 83-99.
Julia Brett. Distance, Demystification, and Donne's Divine Poetry. 101-126.
Paul W. Harland. Donne and Virginia: The Ideology of Conquest. 127-152.
Donald W. Rude. John Donne in The Female Tatler: A Forgotten Eighteenth-Century Appreciation. 153-166.
John T. Shawcross. Additional Donne and Herbert Allusions. 167-176.
Pamela Royston Macfie. Ghostly Metamorphoses: Chapman, Marlowe, and Ovid's Philomela. 177-193.
Ann Hurley. Introduction. 195-200.
Gary A. Stringer. The Text of "Farewell to Love." 201-213.
Graham Roebuck. Into the Shadows...: Donne's "Farewell to Love." 215-227.
Richard Todd. "Farewell to Love": "Things" as Artifacts, "thing[s]" as Shifting Signifiers. 229-241.
Theresa M. DiPasquale. The Things Not Seen in Donne's "Farewell to Love." 243-253.
Anthony Low. Lost in a Book. 255-260.
Richard Harp. Reading Ritual. 261-266.
Gary Stringer. More on Reading "How It Goes." 267-275.
Paul J. Voss. Sir Thomas More in the Year of Donne's Birth. 1-18.
Maureen Sabine. Illumina Tenebras Nostras Domina—Donne at Evensong. 19-44.
María J. Pando Canteli. The Poetics of Space in Donne's Love Poetry. 45-57.
Ilona Bell. Courting Anne More. 59-86.
John T. Shawcross. The Meditative Path and Personal Poetry. 87-99.
Helen B. Brooks. "When I would not I change in vowes, and in devotione": Donne's "Vexations" and the Ignatian Meditative Model." 101-137.
Kate Gartner Frost and William J. Scheick. Signing at Cross Purpose: Resignation in Donne's "Holy Sonnet I." 139-161.
Catherine Gimelli Martin. The Advancement of Learning and the Decay of the World: A New Reading of Donne's First Anniversary. 163-203.
Ted-Larry Pebworth and Claude J. Summers. Contexts and Strategies: Donne's Elegy on Prince Henry. 205-222.
R. V. Young. Donne and Bellarmine. 223-234.
Mary Arshagouni Papazian. John Donne and the Thirty Years' War. 235-266.
Florence Sandler. "The Gallery to the New World": Donne, Herbert and Ferrar on the Virginia Project. 267-297.
Ernest W. Sullivan, II. Poems, by J. D.: Donne's Corpus and His Bawdy, Too. 299-309.
Dayton Haskin. Coleridge's Marginalia on the Seventeenth-Century Divines and the Perusal of Our Elder Writers. 311-337.
Mary Alexander. Pyrford, Pyrford Place, and Queen Elizabeth's Summerhouse. 339-360.
Richard S. Peterson. New Evidence on Donne's Monument: I. 1-51.
Paul Stevens. Donne's Catholicism and the Innovation of the Modern Nation State. 53-70.
Thomas Fulton. Hamlet's Inky Cloak and Donne's Satyres. 71-106.
Dennis Flynn. Donne's Most Daring Satyre: "richly For service paid, authoriz'd." 107-120.
Barry Spurr. The Theology of La Corona. 121-139.
Theresa M. DiPasquale. "to good ends": The Final Cause of Sacramental Womanhood in The First Anniversarie. 141-150.
Sara Anderson. Phonological Analysis and Donne's "Nocturnall." 151-160.
Nathanial B. Smith. The Apparition of a Seventeenth-Century Donne Reader: A Hand-Written Index to Poems, By J. D. (1633). 161-199.
Richard Todd. Donne's "Goodfriday, 1613. Riding Westward.": The Extant Manuscripts and the Group 1 Stemma. 201-218.
Donald W. Rude. Some Unreported Seventeenth- and Eighteenth-Century Allusions to John Donne. 219-228.
David Reid. Crashaw's Gallantries. 229-242.
Andrew Sean Davidson. Devotio and Ratio in Richard Crashaw's "On Hope." 243-262.
George Walton Williams. Richard Crashaw's "Bulla" and Daniel Heinsius' Crepundia. 263-273.
Ernest W. Sullivan, II, and Robert Shawn Boles. The Textual History of and Interpretively Significant Variants in Donne's "The Sunne Rising." 275-280.
Dayton Haskin. Impudently Donne. 281-287.
Meg Lota Brown. Absorbing Difference in Donne's Malediction Forbidding Morning. 289-292.
R. V. Young. Introduction: The Poetry of Meditation and the Aesthetics of Devotional Intention. 1-10.
Judith H. Anderson. Donne's Tropic Awareness: Metaphor, Metonymy, and Devotions upon Emergent Occasions. 11-34.
Annabel Patterson. A Man is to Himself a Dioclesian: Donne's Rectified Litany. 35-49.
Dayton Haskin. Is There a Future for Donne's "Litany"? 51-88.
P. G. Stanwood. The Vision of God in the Sonnets of John Donne and George Herbert. 89-100.
Jonathan F. S. Post. The Baroque and Elizabeth Bishop. 101-133.
Robert B. Shaw. "Sometimes Metaphysical": Louis Martz and Theodore Roethke. 135-149.
Donald M. Friedman. A Caroline Fancy: Carew on Representation. 151-182.
Sidney Gottlieb. An Collins and the Life of Writing. 183-207.
Edward W. Tayler. "differing" Donne. 209-224.
Achsah Guibbory. Sacramental Poetics in an Age of Controversy. 225-230.
Dennis Flynn. Donne and the Uses of Courtliness: Trained to Lie? 231-236.
Achsah Guibbory. Reading and Teaching "The Good Morrow." 1-4.
Lara M. Crowley. Establishing a "fitter" Text of Donne's "The Good Morrowe." 5-21.
Ilona Bell. Betrothal: "The Good morrow." 23-30.
Jonathan F. S. Post. "The Good Morrow" and the Modern Aubade: Some Impressions. 31-45.
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Albert C. Labriola. "Vile harsh attire": Biblical Typology in John Donne's "Spit in my face yee Jewes." 47-57.
Michelle Solomon. Trafique: A Consideration of John Donne's The First Anniversary An Anatomie of the World. 59-75.
Brandon S. Centerwall. "Loe her's a Man, worthy indeede to travell": Donne's Panegyric upon Coryats Crudities. 77-94.
Ernest W. Sullivan, II. What Have the Donne Variorum Textual Editors Discovered, and Why Should Anyone Care? 95-107.
Jeffrey Johnson. "One, four, and infinite": John Donne, Thomas Harriot, and Essayes in Divinity. 109-143.
Brooke Conti. Donne, Doubt, and the Devotions Upon Emergent Occasions. 145-164.
Peter McCullough. Donne and Andrewes. 165-201.
Hugh Adlington. Preaching the Holy Ghost: John Donne's Whitsunday Sermons. 203-228.
Noel Blincoe. Carew's "A Rapture": A Paradoxical Encomium on Erotic Love. 229-247.
Andrew Breeze. Donne's "Blest Hermaphrodite" and Psalms "More Harsh." 249-254.
Donald W. Rude. Seamus Heaney and John Donne: An Echo of "The Ecstasy" in "Glanmore Sonnet X." 255-257.
Jeanne Shami. Approaching Donne's Theology. 259-262.